| Preface |
|
xvii | |
| MODERN PERIOD, 1910-1945 |
|
839 | |
|
The Centers of the Modern |
|
|
839 | (12) |
|
|
|
851 | (5) |
|
Modernism and the New Negro Renaissance |
|
|
856 | (6) |
|
|
|
862 | (1) |
|
Modernism, Popular Culture, and the Media |
|
|
862 | |
|
|
|
867 | (241) |
|
Booker T. Washington (1856-1915) |
|
|
868 | (26) |
|
|
|
870 | (1) |
|
Chapter I, A Slave Among Slaves |
|
|
870 | (1) |
|
Chapter III, The Struggle for an Education |
|
|
875 | (1) |
|
Chapter VI, Black Race and Red Race |
|
|
883 | (1) |
|
Chapter XIII, Two Thousand Miles for a Five-Minute Speech |
|
|
885 | (1) |
|
Chapter XIV, The Atlanta Exposition Address |
|
|
887 | (7) |
|
W.E.B. Du Bois (1868-1963) |
|
|
894 | (25) |
|
from The Souls of Black Folk |
|
|
897 | (1) |
|
Chapter I, Of Our Spiritual Strivings |
|
|
897 | (1) |
|
Chapter III, Of Mr. Booker T. Washington and Others |
|
|
902 | (1) |
|
Chapter XIV, Of the Sorrow Songs |
|
|
911 | (6) |
|
|
|
917 | (2) |
|
James Weldon Johnson (1871-1938) |
|
|
919 | (22) |
|
Lift Every Voice and Sing |
|
|
920 | (1) |
|
O Black and Unknown Bards |
|
|
921 | (2) |
|
from Autobiography of an Ex-Colored Man |
|
|
923 | (1) |
|
|
|
923 | (16) |
|
|
|
939 | (2) |
|
Edwin Arlington Robinson (1869-1935) |
|
|
941 | (9) |
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|
942 | (1) |
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|
943 | (3) |
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|
946 | (1) |
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|
947 | (1) |
|
The Tree in Pamela's Garden |
|
|
948 | (1) |
|
|
|
949 | (1) |
|
Ellen Glasgow (1873-1945) |
|
|
950 | (12) |
|
The Professional Instinct |
|
|
952 | (10) |
|
Edith Wharton (1862-1937) |
|
|
962 | (66) |
|
The Valley of Childish Things |
|
|
964 | (1) |
|
|
|
965 | (18) |
|
|
|
983 | (13) |
|
The Life Apart (Lame close) |
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|
996 | (11) |
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|
1007 | (12) |
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|
|
1019 | (9) |
|
Edgar Lee Masters (1869-1950) |
|
|
1028 | (6) |
|
from Spoon River Anthology |
|
|
1029 | (1) |
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|
1029 | (1) |
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|
1030 | (1) |
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|
1030 | (1) |
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1031 | (1) |
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|
1032 | (1) |
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|
1032 | (1) |
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|
1032 | (1) |
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|
1032 | (1) |
|
Great Audiences and Great Poets |
|
|
1032 | (1) |
|
from The Harmony of Deeper Music |
|
|
1033 | (1) |
|
Not to See Sandridge Again |
|
|
1033 | (1) |
|
|
|
1034 | (6) |
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|
|
1035 | (5) |
|
Susan Glaspell (1876-1948) |
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|
1040 | (11) |
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|
1041 | (10) |
|
Robinson Jeffers (1887-1962) |
|
|
1051 | (7) |
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|
1052 | (1) |
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|
1053 | (1) |
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|
1053 | (2) |
|
Self-Criticism in February |
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|
1055 | (1) |
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1055 | (1) |
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1056 | (1) |
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1057 | (1) |
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|
1057 | (1) |
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|
1058 | (1) |
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|
1058 | (14) |
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|
1060 | (1) |
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|
1060 | (1) |
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|
1061 | (1) |
|
An Old Man's Winter Night |
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|
1062 | (1) |
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|
1062 | (1) |
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|
1063 | (1) |
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|
1064 | (1) |
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|
1064 | (3) |
|
Stopping by Woods on a Snowy Evening |
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|
1067 | (1) |
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|
1068 | (1) |
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|
1068 | (1) |
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|
1069 | (1) |
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|
1069 | (1) |
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|
1070 | (2) |
|
Sherwood Anderson (1876-1941) |
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|
1072 | (13) |
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|
1073 | (3) |
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|
|
1076 | (9) |
|
Theodore Dreiser (1871-1945) |
|
|
1085 | (14) |
|
|
|
1086 | (13) |
|
Edna St. Vincent Millay (1892-1950) |
|
|
1099 | (9) |
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|
1100 | (1) |
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|
1101 | (1) |
|
[Euclid alone has looked on Beauty bare] |
|
|
1101 | (1) |
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|
1102 | (1) |
|
[Love is not all: it is not meat nor drink] |
|
|
1102 | (1) |
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|
1103 | (1) |
|
[Here lies, and none to mourn him but the sea] |
|
|
1104 | (1) |
|
[His stalk the dark delphinium] |
|
|
1104 | (1) |
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|
1105 | (1) |
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|
|
1105 | (1) |
|
Justice Denied in Massachusetts |
|
|
1106 | (2) |
|
Alienation and Literary Experimentation |
|
|
1108 | (379) |
|
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|
1109 | (23) |
|
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|
1111 | (1) |
|
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|
1111 | (1) |
|
In a Station of the Metro |
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|
1112 | (1) |
|
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|
1112 | (1) |
|
|
|
1112 | (2) |
|
from Hugh Selwyn Mauberley (Life and Contacts) |
|
|
1114 | (1) |
|
E.P. Ode pour L'electionde Son Sepulchre |
|
|
1114 | (1) |
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|
1117 | (1) |
|
Siena mi fe'; Disfecemi Maremma |
|
|
1118 | (1) |
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|
1119 | (1) |
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|
1119 | (1) |
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|
1122 | (1) |
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|
1123 | (1) |
|
I [And then went down to the ship] |
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|
1123 | (2) |
|
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|
1125 | (2) |
|
XLV [With usura hath no man a house of good stone] |
|
|
1127 | (2) |
|
LXXXI [Yet/Ere the season died a-cold] |
|
|
1129 | (2) |
|
CXX [I have tried to write Paradise] |
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|
1131 | (1) |
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|
1132 | (13) |
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|
1133 | (1) |
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|
1134 | (3) |
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|
1137 | (1) |
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|
1137 | (1) |
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|
|
1138 | (1) |
|
Madonna of the Evening Flowers |
|
|
1138 | (1) |
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|
1139 | (1) |
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|
1140 | (1) |
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|
1140 | (1) |
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|
1141 | (4) |
|
Gertrude Stein (1874-1946) |
|
|
1145 | (12) |
|
from The Making of Americans |
|
|
1147 | (1) |
|
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|
1149 | (1) |
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|
1150 | (1) |
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|
1150 | (2) |
|
from Composition as Explanation |
|
|
1152 | (1) |
|
from The Geographical History of America or the Relation of Human Nature to the Human Mind |
|
|
1153 | (3) |
|
from The Mother of Us All |
|
|
1156 | (1) |
|
William Carlos Williams (1883-1963) |
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|
1157 | (18) |
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|
1159 | (1) |
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|
1160 | (1) |
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|
1160 | (1) |
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|
1161 | (1) |
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|
1162 | (1) |
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|
1162 | (2) |
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|
1164 | (2) |
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|
1166 | (1) |
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|
1166 | (3) |
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|
1169 | (1) |
|
Burning the Christmas Greens |
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|
1170 | (2) |
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|
1172 | (1) |
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|
1173 | (2) |
|
Eugene O'Neill (1888-1953) |
|
|
1175 | (33) |
|
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|
1177 | (31) |
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|
1208 | (6) |
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|
1209 | (5) |
|
Elizabeth Madox Roberts (1881-1941) |
|
|
1214 | (11) |
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|
|
1216 | (9) |
|
H.D. (Hilda Doolittle) (1886-1961) |
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|
1225 | (10) |
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|
1226 | (1) |
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|
1227 | (1) |
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|
1228 | |
|
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|
1128 | (101) |
|
|
|
1229 | (1) |
|
from The Walls Do Not Fall [43] |
|
|
1229 | (1) |
|
from Tribute to the Angels [8,12,19,20,23,43] |
|
|
1230 | (5) |
|
Cluster: Political Poetry in the Modern Period |
|
|
1235 | (33) |
|
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|
1237 | (1) |
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|
1237 | (1) |
|
Kenneth Fearing (1902-1961) |
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|
1237 | (1) |
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|
1237 | (2) |
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|
1239 | (1) |
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|
1239 | (2) |
|
Tillie Lerner Olsen (b. 1913) |
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|
1241 | (1) |
|
I Want You Women Up North to Know |
|
|
1241 | (3) |
|
|
|
1244 | (1) |
|
A Communication to Nancy Cunard |
|
|
1244 | (4) |
|
Langston Hughes (1902-1967) |
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|
1248 | (1) |
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|
1248 | (1) |
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|
1249 | (5) |
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|
1254 | (1) |
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|
1254 | (1) |
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|
1255 | (1) |
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|
1255 | (1) |
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|
1256 | (1) |
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|
1257 | (1) |
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|
1257 | (4) |
|
Genevieve Taggard (1894-1948) |
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|
1261 | (1) |
|
Up State-Depression Summer |
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|
1261 | (1) |
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|
1263 | (1) |
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|
1265 | (1) |
|
To the Veterans of the Abraham Lincoln Brigade |
|
|
1267 | (1) |
|
E.E. Cummings (1894-1962) |
|
|
1268 | (10) |
|
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|
1269 | (1) |
|
[into the strenuous briefness] |
|
|
1269 | (1) |
|
[the Cambridge ladies who live in furnished souls] |
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|
1270 | (1) |
|
[i like my body when it is with your] |
|
|
1270 | (1) |
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|
1271 | (1) |
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|
1272 | (1) |
|
[i sing of Olaf glad and big] |
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|
1272 | (2) |
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|
1274 | (1) |
|
[anyone lived in a pretty how town] |
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|
1274 | (2) |
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|
1276 | (1) |
|
[what if a much of a which of a wind] |
|
|
1277 | (1) |
|
[pity this busy monster, manunkind] |
|
|
1277 | (1) |
|
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|
1278 | (35) |
|
The Love Song of J. Alfred Prufrock |
|
|
1280 | (4) |
|
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|
1284 | (1) |
|
Tradition and the Individual Talent |
|
|
1285 | (6) |
|
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|
1291 | (15) |
|
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|
1306 | (7) |
|
Cluster: Modernism, Lyric Poetry, Facts |
|
|
1313 | (11) |
|
William Carlos Williams (1883-1963) |
|
|
1314 | (1) |
|
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|
1314 | (1) |
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|
1315 | (1) |
|
Kenneth Fearing (1902-1961) |
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|
1315 | (1) |
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|
1315 | (1) |
|
Langston Hughes (1902-1967) |
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|
1316 | (1) |
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|
1316 | (1) |
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|
1317 | (1) |
|
Marianne Moore (1887-1972) |
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|
1317 | (1) |
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|
1317 | (2) |
|
Wallace Stevens (1879-1955) |
|
|
1319 | (1) |
|
The Course of a Particular |
|
|
1319 | (1) |
|
Charles Reznikoff (1894-1976) |
|
|
1319 | (1) |
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|
1319 | (1) |
|
[Among the heaps of brick and plaster lies] |
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|
1319 | (1) |
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|
1320 | (2) |
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|
1322 | (1) |
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|
1322 | (1) |
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|
1323 | (1) |
|
F. Scott Fitzgerald (1896-1940) |
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|
1324 | (63) |
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|
1326 | (34) |
|
The Diamond as Big as the Ritz |
|
|
1360 | (27) |
|
Katherine Anne Porter (1890-1980) |
|
|
1387 | (16) |
|
The Jilting of Granny Weatherall |
|
|
1388 | (7) |
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|
1395 | (8) |
|
Marianne Moore (1887-1972) |
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|
1403 | (10) |
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|
1404 | (2) |
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|
1406 | (1) |
|
An Egyptian Pulled Glass Bottle in the Shape of a Fish |
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|
1406 | (1) |
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|
1407 | (3) |
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|
1410 | (1) |
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|
1411 | (1) |
|
The Mind Is an Enchanting Thing |
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|
1412 | (1) |
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|
1413 | (7) |
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|
1414 | (1) |
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1415 | (1) |
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1416 | (1) |
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|
1417 | (1) |
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|
1418 | (1) |
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|
1419 | (1) |
|
Ernest Hemingway (1899-1961) |
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|
1420 | (6) |
|
Hills Like White Elephants |
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|
1422 | (4) |
|
Wallace Stevens (1879-1955) |
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|
1426 | (10) |
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|
1427 | (3) |
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|
1430 | (1) |
|
Peter Quince at the Clavier |
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|
1431 | (2) |
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|
1433 | (1) |
|
A High-Toned Old Christian Woman |
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|
1434 | (1) |
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|
1435 | (1) |
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|
1435 | (1) |
|
William Faulkner (1897-1962) |
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|
1436 | (40) |
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|
1438 | (11) |
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|
1449 | (15) |
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|
1464 | (12) |
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|
1476 | (11) |
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|
1477 | (1) |
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|
1478 | (1) |
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|
1479 | (1) |
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|
1479 | (1) |
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|
1479 | (1) |
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|
1481 | (4) |
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|
1485 | (2) |
|
The New Negro Renaissance |
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|
1487 | (147) |
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|
1490 | (10) |
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|
1492 | (8) |
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|
1500 | (19) |
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|
1502 | (1) |
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|
1502 | (1) |
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|
1503 | (1) |
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|
1504 | (6) |
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|
1510 | (1) |
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|
1510 | (9) |
|
Langston Hughes (1902-1967) |
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|
1519 | (31) |
|
The Negro Speaks of Rivers |
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|
1521 | (1) |
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|
1521 | (1) |
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|
1522 | (1) |
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|
1523 | (1) |
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|
1524 | (1) |
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|
1525 | (1) |
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|
1525 | (1) |
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|
1526 | (1) |
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|
1526 | (1) |
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|
1527 | (2) |
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|
1529 | (8) |
|
The Negro Artist and the Racial Mountain |
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|
1537 | (3) |
|
When the Negro Was in Vogue |
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|
1540 | (6) |
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|
1546 | (1) |
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|
1547 | (3) |
|
Countee Cullen (1903-1946) |
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|
1550 | (7) |
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|
1551 | (1) |
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|
1551 | (1) |
|
Simon the Cyrenian Speaks |
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|
1552 | (1) |
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|
1552 | (1) |
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|
1553 | (1) |
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|
1553 | (4) |
|
Scottsboro, Too, Is Worth Its Song |
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|
1557 | (1) |
|
Gwendolyn B. Bennett (1902-1981) |
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|
1557 | (4) |
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|
1558 | (1) |
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|
1559 | (1) |
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|
1560 | (1) |
|
Lines Written at the Grave of Alexandre Dumas |
|
|
1560 | (1) |
|
Sterling A. Brown (1901-1989) |
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|
1561 | (16) |
|
When de Saints Go Ma'ching Home |
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|
1563 | (4) |
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|
1567 | (2) |
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|
1569 | (2) |
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|
1571 | (3) |
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|
1574 | (2) |
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|
1576 | (1) |
|
Zora Neale Hurston (1891-1960) |
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|
1577 | (17) |
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|
1578 | (8) |
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|
1586 | (8) |
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|
1594 | (6) |
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|
1595 | (1) |
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1595 | (1) |
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1596 | (1) |
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1596 | (1) |
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|
1597 | (1) |
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|
1597 | (1) |
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|
1598 | (1) |
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|
1598 | (1) |
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1599 | (1) |
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1600 | (1) |
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|
1600 | (3) |
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1601 | (1) |
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1602 | (1) |
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|
1602 | (1) |
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|
1603 | (15) |
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|
1605 | (1) |
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|
1605 | (1) |
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|
1606 | (12) |
|
George Samuel Schuyler (1895-1977) |
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|
1618 | (9) |
|
Our Greatest Gift to America |
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|
1620 | (4) |
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|
1624 | (3) |
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|
1627 | (7) |
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|
|
1627 | (7) |
|
Issues and Visions in Modern America |
|
|
1634 | |
|
Randolph Bourne (1886-1918) |
|
|
1635 | (13) |
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|
1637 | (11) |
|
Anzia Yezierska (1881?-1970) |
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|
1648 | (9) |
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|
1650 | (7) |
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|
1657 | (9) |
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|
1658 | (1) |
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|
1658 | (8) |
|
|
|
1666 | (9) |
|
The Sahara of the Bozarts |
|
|
1668 | (7) |
|
John Dos Passos (1896-1970) |
|
|
1675 | (12) |
|
|
|
1676 | (1) |
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|
1676 | (1) |
|
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|
1680 | (7) |
|
|
|
1687 | (9) |
|
The Happiest Man on Earth |
|
|
1689 | (7) |
|
Lillian Hellman (1905-1984) |
|
|
1696 | (4) |
|
|
|
1697 | (3) |
|
Mary McCarthy (1912-1989) |
|
|
1700 | (7) |
|
from Memories of a Catholic Girlhood |
|
|
1702 | (1) |
|
|
|
1702 | (5) |
|
Clifford Odets (1906-1963) |
|
|
1707 | (19) |
|
|
|
1709 | (17) |
|
Meridel LeSueur (1900-1996) |
|
|
1726 | (7) |
|
|
|
1728 | (5) |
|
Mourning Dove (Okanogan) (1888-1936) |
|
|
1733 | (7) |
|
|
|
1734 | (1) |
|
|
|
1734 | (1) |
|
The Spirit Chief Names the Animal People |
|
|
1736 | (4) |
|
John Joseph Mathews (Osage) (1894-1979) |
|
|
1740 | (12) |
|
|
|
1741 | (1) |
|
|
|
1741 | (1) |
|
|
|
1747 | (5) |
|
Thomas S. Whitecloud (Chippewa) (1914-1972) |
|
|
1752 | (5) |
|
|
|
1752 | (5) |
|
D'Arcy McNickle (1904-1977) |
|
|
1757 | (7) |
|
|
|
1759 | (5) |
|
Robert Penn Warren (1905-1989) |
|
|
1764 | (12) |
|
Founding Fathers, Early-Nineteenth-Century Style, Southeast U.S.A. |
|
|
1766 | (2) |
|
|
|
1768 | (1) |
|
|
|
1769 | (2) |
|
|
|
1771 | (1) |
|
|
|
1772 | (1) |
|
Amazing Grace in the Back Country |
|
|
1773 | (2) |
|
|
|
1775 | (1) |
|
John Crowe Ransom (1888-1974) |
|
|
1776 | (5) |
|
|
|
1777 | (1) |
|
|
|
1778 | (1) |
|
|
|
1779 | (1) |
|
|
|
1779 | (2) |
|
|
|
1781 | (3) |
|
Ode to the Confederate Dead |
|
|
1782 | (2) |
|
Charles Reznikoff (1894-1976) |
|
|
1784 | (7) |
|
[How shall we mourn you who are killed and wasted] |
|
|
1785 | (1) |
|
|
|
1786 | (1) |
|
[The shoemaker sat in the cellars dusk beside his bench] |
|
|
1786 | (1) |
|
|
|
1787 | (1) |
|
|
|
1787 | (1) |
|
|
|
1787 | (1) |
|
The English in Virginia, April 1607 |
|
|
1788 | (1) |
|
|
|
1789 | (1) |
|
|
|
1789 | (1) |
|
|
|
1790 | (1) |
|
John Steinbeck (1902-1968) |
|
|
1791 | (16) |
|
|
|
1792 | (8) |
|
|
|
1800 | (1) |
|
|
|
1800 | (1) |
|
|
|
1802 | (5) |
|
Richard Wright (1908-1960) |
|
|
1807 | (28) |
|
|
|
1809 | (24) |
|
|
|
1833 | (2) |
|
Margaret Walker (1915-1998) |
|
|
1835 | (13) |
|
|
|
1836 | (1) |
|
|
|
1836 | (1) |
|
|
|
1840 | (4) |
|
|
|
1844 | (1) |
|
|
|
1844 | (1) |
|
|
|
1845 | (2) |
|
|
|
1847 | (1) |
|
|
|
1848 | (1) |
|
Saunders Redding (1906-1988) |
|
|
1848 | (7) |
|
|
|
1850 | (1) |
|
Chapter One, Troubled in Mind |
|
|
1850 | (5) |
|
Pietro Di Donato (1911-1992) |
|
|
1855 | (11) |
|
|
|
1857 | (9) |
|
Younghill Kang (1903-1972) |
|
|
1866 | (7) |
|
|
|
1867 | (1) |
|
|
|
1867 | (6) |
|
Carved on the Walls: Poetry by Early Chinese Immigrants |
|
|
1873 | |
|
|
|
1875 | (1) |
|
5 [Four days before the Qiqiao Festival] |
|
|
1875 | (1) |
|
8 [Instead of remaining a citizen of China, I willingly became an ox] |
|
|
1876 | (1) |
|
|
|
1876 | (1) |
|
20 [Imprisonment at Youli, when will it end?] |
|
|
1876 | (1) |
|
30 [After leaping into prison, I cannot come out] |
|
|
1877 | (1) |
|
31 [There are tens of thousands of poems composed on these walls] |
|
|
1877 | (1) |
|
from The Weak Shall Conquer |
|
|
1878 | (1) |
|
35 [Leaving behind my writing brush and removing my sword, I came] |
|
|
1878 | (1) |
|
38 [Being idle in the wooden building, I opened a window] |
|
|
1878 | (1) |
|
42 [The dragon out of water is humiliated by ants] |
|
|
1878 | (1) |
|
|
|
1879 | (1) |
|
51 [I hastened here for the sake of my stomach and landed promptly] |
|
|
1879 | (1) |
|
55 [Shocking news, truly sad, reached my ears] |
|
|
1879 | (1) |
|
from Deportees, Transients |
|
|
1879 | (1) |
|
57 [On a long voyage I travelled across the sea] |
|
|
1879 | (1) |
|
64 Crude Poem Inspired by the Landscape |
|
|
1880 | (1) |
|
69 [Detained in this wooden house for several tens of days] |
|
|
1881 | |
| Acknowledgments |
|
A-1 | |
| Index of Authors, Titles, and First Lines |
|
I-1 | |