The Heath Anthology of American Literature Modern Period (1910-1945), Volume D
by Curnutt, Kirk; Lauter, Paul; Alberti, John; Yarborough, Richard; Bryer, JacksonRent Textbook
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Summary
Table of Contents
| Preface | |
| Modern Period: 1910+1945 | |
| Toward the Modern Age | |
| Booker T. Washington (1856+1915) | |
| from Up from Slavery | |
| A Slave Among Slaves | |
| The Struggle for an Education | |
| Black Race and Red Race | |
| Two Thousand Miles for a Five-Minute Speech | |
| The Atlanta Exposition Address | |
| from The Souls of Black Folk | |
| Of Our Spiritual Strivings | |
| Of | |
| Of the Sorrow Songs | |
| The Song of the Smoke | |
| Lift Every Voice and Sing | |
| O Black and Unknown Bards | |
| from Autobiography of an Ex-Colored Man | |
| The Creation | |
| Cluster: Nature and Religion+Efficiency, Entrepreneurial Christianity, and the Rise of Machine Culture | |
| Preface to Principles of Scientific Management | |
| from Vitality Supreme | |
| from The Dance of the Machines | |
| from Theory of the Leisure Class | |
| from The New Basis of Civilization | |
| from The Man Nobody Knows, including ad. Shelton | |
| from "Vaudeville at Angelus Temple." | |
| from "Elmer Gantry and the Church in America | |
| The Clerks | |
| Momus | |
| The Tree in Pamela''s Garden | |
| The Professional Instinct | |
| The Valley of Childish Things | |
| The Other Two | |
| The Life Apart (L''Gme close | |
| The Eyes | |
| Roman Fever | |
| Edgar Lee Masters (1869-1950) | |
| from Spoon River Anthology | |
| Petit, the Poet | |
| Seth Compton | |
| Lucinda Matlock | |
| The Village Atheist | |
| from The New Spoon River | |
| Cleanthus Trilling | |
| from Lichee Nuts | |
| Ascetics and Drunkards. | |
| Great Audiences and Great Poets | |
| from The Harmony of Deeper Music | |
| Not to See Sandridge Again | |
| A Wagner MatinTe | |
| Trifles | |
| Credo | |
| The Purse-Seine | |
| Self-Criticism in February | |
| The Bloody Sire | |
| The Excesses of God | |
| The Beauty of Things | |
| Carmel Point | |
| The Pasture | |
| Mending Wall | |
| The Road Not Taken | |
| An Old Man''s Winter Night | |
| The Oven Bird. | |
| Out, Out | |
| The Line-Gang | |
| The Ax-Helve | |
| Stopping by Woods on a Snowy Evening | |
| Desert Places | |
| Once by the Pacific | |
| Design | |
| Provide, Provide | |
| Directive | |
| Sherwood Anderson (1876-1941) | |
| Hands | |
| Death in the Woods | |
| Theodore Dreiser (1871-1945) | |
| The Second Choice | |
| Edna St. Vincent Millay (1892-1950) | |
| First Fig | |
| Spring | |
| The Spring and the Fall | |
| [Euclid alone has looked on Beauty bare] | |
| Dirge Without Music | |
| [Love is not all: it is not meat nor drink] | |
| The Return | |
| [Here lies, and none to mourn him but the sea] | |
| [His stalk the dark delphinium] | |
| Sonnet xli | |
| Sonnet xcv | |
| Justice Denied in Massachusetts | |
| Cluster Aesthetics-High Art, Popular Culture, and Politics | |
| from The Seven Lively Arts | |
| Current Fashions | |
| from Beauty-The New Business Tool | |
| From Propaganda | |
| New Masses Novel Contest | |
| From A Note on Literary Criticism | |
| Alienation and Literary Experimentation | |
| A Virginal | |
| A Pact | |
| In a Station of the Metro. L''art, 1910 | |
| A Retrospect. from Hugh Selwyn Mauberley (Life and Contacts): E.P. Ode pour L''electionde Son Sepulchre; Yeux Glauques; Siena mi fe''; Disfecemi Maremma; Brennbaum; Mr. Nixon; Envoi (1919) | |
| The Cantos | |
| I [And then went down to the ship] | |
| XIII [Kung walked] | |
| XLV [With usura hath no | |
| man a house of good stone] | |
| LXXXI [Yet/Ere the season died a-cold] | |
| CXX [I have tried to write Paradise] | |
| Amy Lowell (1874-1925) | |
| A Lady | |
| Patterns | |
| The Letter | |
| Summer Rain | |
| Venus Transiens | |
| Madonna of the Evening Flowers | |
| Wakefulness | |
| Grotesque | |
| The Sisters | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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