Winding Roads Exercises in Writing Creative Nonfiction

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Edition: 1st
Format: Paperback
Pub. Date: 2007-12-18
Publisher(s): Pearson
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Summary

Written by an award-winning author Diane Thiel,Winding Roads: Exercises in Composing Creative Nonfictionoffers exciting and challenging exercises with accompanying models which help focus student writing and allow instructors to address specfic elements of writing creative nonfiction. Vital examples in an extensive selection of readings serve as models and exercises address each element of writing creative nonfiction separately, while building towards an understanding of all the elements which go into creating an effective piece of writing.

Author Biography

Diane Thiel is the author of six books of poetry, nonfiction, and creative writing pedagogy: Echolocations (Nicholas Roerich Prize, 2000),

Writing Your Rhythm (2001), The White Horse: A Colombian Journey (2004), Resistance Fantasies (2004), Crossroads: Creative Writing Exercises in Four Genres (Longman, 2005) and Open Roads: Exercises in Writing Poetry (Longman, 2005). Her work appears in major journals including Poetry, The Hudson Review,The Sewanee Review, Best American Poetry 1999, among numerous others, and is reprinted in more than 30 major anthologies, including Twentieth Century American Poetry (McGraw Hill, 2004) and Contemporary American Poetry (Longman, 2005). Thiel received her BA and MFA from Brown University and has traveled and lived in various countries in Europe and South America. She has been a professor of creative writing for more than 15 years. A recipient of numerous awards including the Robert Frost and Robinson Jeffers Awards, and a recent Fulbright Scholar, she is on the creative writing faculty at the University of New Mexico.

 

Table of Contents

Prefacep. xiii
Introductionp. 1
Beginning: Points of Inspirationp. 5
Keeping a Journalp. 7
Family Stories: History as Heartbeatp. 9
Memory and Imaginationp. 10
Telling Lies to Tell the Truthp. 11
Making the Old Story Newp. 12
A Picture Brings Forth a Thousand Wordsp. 14
Object Lessonsp. 16
Exercises for Developing Craft and Techniquep. 19
Voice and Stylep. 21
Finding Your True Subjectsp. 21
A Question of Stylep. 23
Conditional Voicep. 24
Breaking the Rulesp. 26
Perspective and Point of Viewp. 27
How You See It; How You Don't: Defining Perspective and Point of Viewp. 27
A Communal Story: Using Multiple Perspectivesp. 30
Innocent Perspectivep. 32
Using Biographyp. 34
Detail, Image, and Symbolp. 35
Detailing a Narrativep. 35
Turning Abstractions into Images and Actionp. 36
Using All of Your Sensesp. 38
Writing from Artp. 40
Symbols, not Cymbalsp. 41
Figurative Languagep. 43
Dictionp. 48
Origins of Wordsp. 48
Foreign Flavorp. 49
Simplifyp. 50
Tell-tale Dialectp. 51
Settingp. 53
Setting with Personalityp. 53
Setting from Family Historyp. 55
Setting Your Hometownp. 57
Creating Tensionp. 59
Foundations of Tensionp. 59
Plotp. 59
A Spell of Trouble: Conflict and Tensionp. 61
Reversing the Actionp. 63
Trading Characters, Settings, and Conflictsp. 65
Reverberating Closurep. 66
Rhythmp. 68
Finding Your Rhythm: Poetry in Prosep. 68
Song and Storyp. 70
Listening to Naturep. 71
Character and Dialoguep. 73
Populating a Piecep. 73
Inside a Character's Mindp. 75
Compelling Charactersp. 77
Dialogue Dropping from the Eavesp. 79
Exercises for Exploring Revision, Subgenres, and Frequent Concerns of Creative Nonfictionp. 81
Revisionp. 83
Rereading, Reimagining, Reshapingp. 83
What's in a Name: Finding a Titlep. 85
Revision: Beyond the Framep. 86
Revision: Reimagining Character and Conflictp. 87
Creating Scenes: A Revision Narrativep. 88
Workshop: Thirteen Ways of Looking for Revisionp. 95
Exploring the Subgenres of Creative Nonfictionp. 97
From Memory to Memoirp. 97
Researching a Life: Biographical Sketchp. 99
Personal Opinion: Taking a Standp. 101
Living Sources: Gathering and Using Informationp. 103
Reflective Writing: Reflecting on the Worldp. 105
Writing About Placep. 107
A Piece of Historyp. 109
Exploring Frequent Concerns of Creative Nonfictionp. 112
Finding the Emotional Truthp. 112
Writing Between the Lines: Subtextp. 114
Time Lines and the Larger Contextp. 116
The Passage of Timep. 117
Vignettesp. 119
Mapping Your Memoryp. 120
Writing Inside the Story: Metawritingp. 123
A Collection of Creative Nonfictionp. 125
"The Truth About Truffles"p. 127
"Superman and Me"p. 128
"Why I Love Tourists: Confessions of a Dharma Bum"p. 131
"An Entrance to the Woods"p. 139
"Myth & Uncertainty" from To Prove My Blood: A Tale of Emigration and the Afterlifep. 148
Excerpt from In Patagoniap. 151
"Silent Dancing"p. 154
"A Son in Shadow"p. 160
"Westbury Court"p. 171
"Bilingual/Bilinguep. 175
"Splendor and Squalor" from Among the White Moon Faces: An Asian-American Memoir of Homelandsp. 178
"Lonely Impulse of Delight: One Reader's Childhood"p. 196
"Documented/Undocumented"p. 201
"The Flying Man"p. 202
"Biography of a Dress"p. 209
"Three Pokes of a Thistle"p. 215
"Looking at Aaron" from What Becomes You by Aaron Raz Link and Hilda Razp. 218
"Landscape, History, and the Pueblo Imagination"p. 224
"A Modest Proposal"p. 234
"Mother Tongue"p. 241
"Crossing the Border" from The White Horse: A Colombian Journeyp. 245
"Walking"p. 249
from Mississippi: An American Journeyp. 251
Writers About the Art of Creative Nonfictionp. 255
"Nine Beginnings"p. 257
"The Creative Nonfiction Police"p. 261
"Making the Truth Believable"p. 267
"Toward a Definition of Creative Nonfiction"p. 270
"Other People's Memories"p. 277
"Humor Incarnate"p. 279
Indexp. 289
Creditsp. 293
Table of Contents provided by Ingram. All Rights Reserved.

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