Shakespeare's Globe: A Theatrical Experiment

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Format: Paperback
Pub. Date: 2008-11-10
Publisher(s): Cambridge University Press
List Price: $35.65

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Summary

From 1997 Shakespeare's Globe flourished once more on London's South Bank after an absence of 400 years. The playhouse is now a major attraction for theatregoers, scholars, tourists, teachers and students of all ages who come to experience Shakespeare's plays and those of his contemporaries performed in their original conditions. The team of artists and education specialists who made this happen come together here to reflect on their 10-year experiment. Principal actors, designers, musicians and Globe Education staff engage with international scholars in a lively debate about the impact of this extraordinary building. Featuring an in-depth interview with former Artistic Director Mark Rylance and a contribution from Patrick Spottiswoode, Founder and Director of Globe Education, the book highlights the complex relationship between designer, composer, actor and audience which gives energy to this thriving Shakespearean center.

Table of Contents

List of illustrationsp. viii
List of colour platesp. x
Notes on the editorsp. xi
Notes on contributorsp. xii
Forewordp. xvii
Acknowledgementsp. xxi
Introductionp. 1
The 'essence of Globeness': authenticity, and the search for Shakespeare's stagecraftp. 13
The 'Original Practices' Projectp. 27
Introductionp. 29
Stage actionp. 35
'Practising behaviour to his own shadow'p. 37
'Original practices' at the Globe: a theatre historian's viewp. 45
Stage appearancep. 55
Exploring early modern stage and costume designp. 57
Cosmetics on the Globe stagep. 66
Music and soundp. 77
Music and aural texture at Shakespeare's Globep. 79
Music, authenticity and audiencep. 90
Actor/audience interactionp. 101
Research, materials, craft: principles of performance at Shakespeare's Globep. 103
Democratising the audience?p. 115
Globe Education and Researchp. 127
Introductionp. 129
Contextualising Globe Educationp. 134
'That scull had a tongue in it, and could sing once': staging Shakespeare's contemporariesp. 147
Learning with the Globep. 155
Research and the Globep. 166
Research in Practice: Practice in Researchp. 175
Introductionp. 177
Performing early music at Shakespeare's Globep. 183
Discoveries from the Globe stagep. 194
Directing at the Globe and the Blackfriars: six big rules for contemporary directorsp. 211
Conclusionsp. 226
Afterwordp. 230
Globe Theatre and 'Essence of Globeness' projects since 1970p. 234
A draft Artistic Policy - 1988p. 236
Ten Commandments for the new Globe by Alan C. Dessen, 1990p. 237
Shakespeare's Globe productions 1996-2007p. 239
'Read Not Dead' staged readingsp. 243
Globe Quartosp. 253
Bibliographyp. 254
Indexp. 260
Table of Contents provided by Ingram. All Rights Reserved.

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