The Psychopathology of the Gothic Romance: Perversion, Neuroses and Psychosis in Early Works of the Genre

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Format: Paperback
Pub. Date: 2010-09-24
Publisher(s): McFarland Publishing
List Price: $32.36

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Summary

This book uses clinical psychoanalytic theory to illustrate how early British Gothic fiction reveals undercurrents of psychopathological behavior. It demonstrates that psychological insights gained from Gothic romance anticipate the later scientific findings of psychoanalysis. Chapters consider the division of the Gothic novel's critical reception between allegory and romance; how the structure of early British Gothic romance parallels Freud's notion of the uncanny; the genre's perverse origins in Walpole's The Castle of Otranto; sexual differentiation and the parallel between development of Gothic romance an development of the psyche; Ann Radcliffe and the terror of hysteria; Matthew Lewis and obsessional neurosis; and the confusion between self and other in Hogg's The Private Memoirs and Confessions of a Justified Sinner.

Author Biography

Ed Cameron is an associate professor of English at the University of Texas-Pan American in Edinburg, Texas. He has published numerous articles relating to psychoanalysis and the Gothic.

Table of Contents

Acknowledgmentsp. v
Introduction: The Gothic on the Couchp. 1
The Two-Headed Gothic Monsterp. 11
Retrospective Fantasy and the Uncanny Structure of Gothic Romancep. 31
Horace Walpole and the Perverse Origins of the Gothic Romancep. 50
Sexual Difference and the Gothic Sublimep. 76
Ann Radcliffe and the Gothic Terror of Hysteriap. 107
Matthew Lewis and the Gothic Horror of Obsessional Neurosisp. 133
Conclusion: James Hogg, the Psychotic Doppelgänger, and the Foreclosure of the Gothicp. 156
Chapter Notesp. l69
Bibliographyp. 195
Indexp. 205
Table of Contents provided by Ingram. All Rights Reserved.

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