The Ethnographic Imagination

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Edition: 1st
Format: Paperback
Pub. Date: 2000-12-07
Publisher(s): Polity
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Summary

In this book Paul Willis, a renowned sociologist and ethnographer, aims to renew and develop the ethnographic craft across the disciplines. Drawing from numerous examples of his own past and current work, he shows that ethnographic practice and the ethnographic imagination are vital to understanding the creativity and irreducibility of experience in all aspects of social and cultural practice. Willis argues that ethnography plays a vital role in constituting 'sensuousness' in textual, methodological, and substantive ways, but it can do this only through the deployment of an associated theoretical imagination which cannot be found simply there in the field. He presents a bold and incisive ethnographically oriented view of the world, emphasizing the need for a deep-running social but also aesthetic sensibility. In doing so he brings new insights to the understanding of human action and its dialectical relation to social and symbolic structures. He makes original contributions to the understanding of the contemporary human uses of objects, artefacts and communicative forms, presenting a new analysis of commodity fetishism as central to consumption and to the wider social relations of contemporary societies. He also utilizes his perspective to further the understanding of the contemporary crisis in masculinity and to cast new light on various lived everyday cultures - at school, on the dole, on the street, in the Mall, in front of TV, in the dance club. This book will be essential reading for all those involved in planning or contemplating ethnographic fieldwork and for those interested in the contributions it can make to the social sciences and humanities.

Author Biography

Paul Willis is Professor of Social and Cultural Studes at Wolverhampton University. He is also the Founding Editor of the journal Ethnography.

Table of Contents

Acknowledgements vii
Foreword viii
Part I: Art in the Everyday
Life as Art
3(11)
Experience is the poem
6(4)
Language and experience
10(4)
Form
14(20)
Language and the language paradigm
14(9)
Socio-symbolic analysis
23(11)
The Social
34(13)
Penetrations
34(6)
Social reproduction
40(7)
Part II: Ethnorgraphy in Postmodernity
The Quasi-modo Commodity
47(20)
The commodity form
52(2)
The cultural commodity form
54(3)
The struggle between the commodity and the code
57(7)
Cultural commodities and cultural practices
64(3)
Penetrations in the Postmodern World
67(18)
Cultural practices
68(10)
Social becoming
78(7)
Social Reproduction as Social History
85(21)
Modernist sources of social stability
86(5)
The crisis of masculinity
91(7)
Postmodernist sources of social stability
98(4)
Fetishism and invisible symbolic work
102(4)
The Ethnographic Imagination and `Whole Ways of Life'
106(21)
Social class
109(3)
Methodologies of field, theory and writing
112(7)
Cultural politics
119(2)
Cultural policy
121(4)
The treason of language?
125(2)
Appendix: Homology 127(4)
Notes 131(19)
Index 150

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