| Preface |
|
xxvii | |
| PART ONE Expansion and National Redefinition: The Late 19th Century |
|
1 | (906) |
|
|
|
9 | (197) |
|
Walt Whitman (1819--1892) |
|
|
14 | (136) |
|
|
|
17 | (1) |
|
Preface to the 1855 Edition |
|
|
17 | (1) |
|
|
|
17 | (14) |
|
|
|
31 | (1) |
|
|
|
31 | (1) |
|
|
|
32 | (1) |
|
|
|
32 | (1) |
|
|
|
32 | (1) |
|
|
|
33 | (45) |
|
From Pent-up Aching Rivers |
|
|
78 | (1) |
|
Once I Pass'd Through a Populous City |
|
|
78 | (2) |
|
Facing West From California's Shores |
|
|
80 | (1) |
|
As Adam Early in the Morning |
|
|
81 | (1) |
|
|
|
81 | (1) |
|
|
|
81 | (1) |
|
|
|
82 | (1) |
|
I Saw in Louisiana a Live-Oak Growing |
|
|
82 | (1) |
|
I Hear It Was Charged Against Me |
|
|
83 | (1) |
|
Here the Frailest Leaves of Me |
|
|
84 | (1) |
|
|
|
84 | (1) |
|
|
|
84 | (4) |
|
|
|
88 | (1) |
|
Out of the Cradle Endlessly Rocking |
|
|
88 | (5) |
|
As I Ebb'd With the Ocean of Life |
|
|
93 | (3) |
|
|
|
96 | (1) |
|
|
|
96 | (1) |
|
When I Heard the Learn'd Astronomer |
|
|
96 | (1) |
|
|
|
96 | (1) |
|
The Dalliance of the Eagles |
|
|
97 | (1) |
|
|
|
97 | (1) |
|
|
|
97 | (1) |
|
|
|
97 | (1) |
|
|
|
98 | (1) |
|
Vigil Strange I Kept on the Field One Night |
|
|
98 | (1) |
|
A March in the Ranks Hard-Prest |
|
|
99 | (1) |
|
A Sight in Camp in the Daybreak Gray and Dim |
|
|
100 | (1) |
|
|
|
101 | (2) |
|
|
|
103 | (1) |
|
The Artilleryman's Vision |
|
|
104 | (1) |
|
|
|
105 | (1) |
|
from Memories of President Lincoln: |
|
|
105 | (1) |
|
When Lilacs Last in the Dooryard Bloom'd |
|
|
105 | (7) |
|
|
|
112 | (1) |
|
There Was a Child Went Forth |
|
|
112 | (1) |
|
|
|
113 | (1) |
|
|
|
114 | (7) |
|
|
|
121 | (7) |
|
from Whispers of Heavenly Death: |
|
|
128 | (1) |
|
Chanting the Square Deific |
|
|
128 | (1) |
|
A Noiseless Patient Spider |
|
|
129 | (1) |
|
from From Noon to Starry Night: |
|
|
130 | (1) |
|
To a Locomotive in Winter |
|
|
130 | (1) |
|
|
|
131 | (1) |
|
|
|
131 | (1) |
|
|
|
132 | (1) |
|
from First Annex: Sands at Seventy: |
|
|
132 | (1) |
|
|
|
132 | (1) |
|
from Second Annex: Good-bye My Fancy: |
|
|
133 | (1) |
|
|
|
133 | (1) |
|
|
|
133 | (1) |
|
|
|
134 | (1) |
|
from A Backward Glance O'er Travel'd Roads |
|
|
134 | (8) |
|
|
|
142 | (1) |
|
|
|
142 | (2) |
|
|
|
144 | (1) |
|
|
|
144 | (1) |
|
Two Brothers, One South, One North |
|
|
145 | (1) |
|
The Million Dead, Too, Summ'd Up |
|
|
146 | (1) |
|
|
|
147 | (1) |
|
Boston Common---More of Emerson |
|
|
148 | (2) |
|
Emily Dickinson (1830--1886) |
|
|
150 | (43) |
|
I never lost as much but twice |
|
|
154 | (1) |
|
|
|
154 | (1) |
|
Success is counted sweetest |
|
|
155 | (1) |
|
|
|
155 | (1) |
|
|
|
156 | (1) |
|
These are the days when Birds come back--- |
|
|
156 | (1) |
|
Water, is taught by thirst |
|
|
157 | (1) |
|
I met a King this afternoon! |
|
|
157 | (1) |
|
``Faith'' is a fine invention |
|
|
158 | (1) |
|
I'm ``wife''---I've finished that--- |
|
|
158 | (1) |
|
I taste a liquor never brewed--- |
|
|
159 | (1) |
|
Safe in their Alabaster Chambers---(1859 version) |
|
|
159 | (1) |
|
Safe in their Alabaster Chambers---(1861 version) |
|
|
160 | (1) |
|
|
|
160 | (1) |
|
Wild Nights---Wild Nights! |
|
|
160 | (1) |
|
``Hope'' is the thing with feathers--- |
|
|
161 | (1) |
|
There's a certain Slant of light |
|
|
161 | (1) |
|
A solemn thing---it was---I said--- |
|
|
162 | (1) |
|
The only Ghost I ever saw |
|
|
162 | (1) |
|
I felt a Funeral, in my Brain |
|
|
163 | (1) |
|
The Robin's my Criterion for Tune--- |
|
|
164 | (1) |
|
I got so I could hear his name--- |
|
|
164 | (1) |
|
|
|
165 | (1) |
|
I cannot dance upon my Toes--- |
|
|
165 | (1) |
|
A Bird came down the Walk--- |
|
|
166 | (1) |
|
The face I carry with me---last--- |
|
|
167 | (1) |
|
After great pain, a formal feeling comes--- |
|
|
167 | (1) |
|
I dreaded that first Robin, so |
|
|
168 | (1) |
|
What Soft---Cherubic Creatures--- |
|
|
169 | (1) |
|
Much Madness is divinest Sense--- |
|
|
169 | (1) |
|
This is my letter to the World |
|
|
169 | (1) |
|
This was a Poet---It is That |
|
|
170 | (1) |
|
I died for Beauty---but was scarce |
|
|
170 | (1) |
|
I heard a Fly buzz---when I died--- |
|
|
171 | (1) |
|
If you were coming in the Fall |
|
|
171 | (1) |
|
The Soul has Bandaged moments--- |
|
|
172 | (1) |
|
|
|
173 | (1) |
|
I reckon---when I count at all--- |
|
|
173 | (1) |
|
I had been hungry, all the Years--- |
|
|
174 | (1) |
|
I like to see it lap the Miles--- |
|
|
174 | (1) |
|
The way I read a Letter's---this--- |
|
|
175 | (1) |
|
I cannot live with You--- |
|
|
175 | (2) |
|
Pain---has an Element of Blank--- |
|
|
177 | (1) |
|
I dwell in Possibility--- |
|
|
177 | (1) |
|
Because I could not stop for Death--- |
|
|
178 | (1) |
|
Where Thou art---that---is Home--- |
|
|
178 | (1) |
|
She rose to His Requirement---dropt |
|
|
179 | (1) |
|
Remorse---is Memory---awake--- |
|
|
179 | (1) |
|
Renunciation---is a piercing Virtue--- |
|
|
180 | (1) |
|
My Life had stood---a Loaded Gun--- |
|
|
180 | (1) |
|
|
|
181 | (1) |
|
None can experience stint |
|
|
181 | (1) |
|
|
|
182 | (1) |
|
A narrow Fellow in the Grass |
|
|
182 | (1) |
|
Crumbling is not an instant's Act |
|
|
183 | (1) |
|
Further in Summer than the Birds |
|
|
183 | (1) |
|
|
|
184 | (1) |
|
|
|
184 | (1) |
|
|
|
185 | (1) |
|
The last Night that She lived |
|
|
185 | (1) |
|
Tell all the Truth but tell it slant--- |
|
|
186 | (1) |
|
September's Baccalaureate |
|
|
186 | (1) |
|
|
|
187 | (1) |
|
Wonder---is not precisely Knowing |
|
|
187 | (1) |
|
A little Madness in the Spring |
|
|
187 | (1) |
|
|
|
188 | (1) |
|
As imperceptibly as Grief |
|
|
188 | (1) |
|
Apparently with no surprise |
|
|
188 | (1) |
|
|
|
189 | (1) |
|
My life closed twice before its close |
|
|
190 | (1) |
|
To make a prairie it takes a clover and one bee |
|
|
190 | (1) |
|
|
|
190 | (1) |
|
Letter to Thomas Wentworth Higginson, 25 April 1862 |
|
|
191 | (1) |
|
Letter to Susan Gilbert Dickinson, Early October 1883 |
|
|
192 | (1) |
|
Sidney Lanier (1842--1881) |
|
|
193 | (3) |
|
|
|
194 | (1) |
|
Song of the Chattahoochee |
|
|
194 | (2) |
|
|
|
196 | (1) |
|
Emma Lazarus (1849--1887) |
|
|
196 | (4) |
|
In the Jewish Synagogue at Newport |
|
|
197 | (2) |
|
|
|
199 | (1) |
|
|
|
199 | (1) |
|
Paul Laurence Dunbar (1872--1906) |
|
|
200 | (6) |
|
|
|
201 | (3) |
|
|
|
204 | (1) |
|
|
|
204 | (1) |
|
|
|
204 | (1) |
|
|
|
205 | (1) |
|
|
|
205 | (1) |
|
Late 19th-Century Nonfiction Prose |
|
|
206 | (44) |
|
|
|
210 | (12) |
|
from The Education of Henry Adams: |
|
|
213 | (1) |
|
Chapter XXV: The Dynamo and the Virgin (1900) |
|
|
213 | (9) |
|
Booker T. Washington (1856--1915) |
|
|
222 | (9) |
|
|
|
224 | (1) |
|
Chapter XIV: The Atlanta Exposition Address |
|
|
224 | (7) |
|
W. E. B. Du Bois (1868--1963) |
|
|
231 | (12) |
|
from The Souls of Black Folk: |
|
|
232 | (1) |
|
|
|
232 | (1) |
|
Chapter III: Of Booker T. Washington and Others |
|
|
233 | (10) |
|
Frank Norris (1870--1902) |
|
|
243 | (7) |
|
from The ``Volunteer Manuscript'' |
|
|
244 | (2) |
|
A Plea for Romantic Fiction |
|
|
246 | (2) |
|
|
|
248 | (2) |
|
Late 19th-Century Fiction |
|
|
250 | (657) |
|
Mark Twain (Samuel Clemens) (1835--1910) |
|
|
254 | (238) |
|
The Notorious Jumping Frog of Calaveras County |
|
|
258 | (5) |
|
The Late Benjamin Franklin |
|
|
263 | (1) |
|
The Private History of a Campaign That Failed |
|
|
264 | (12) |
|
Fenimore Cooper's Literary Offenses |
|
|
276 | (9) |
|
The Man That Corrupted Hadleyburg |
|
|
285 | (31) |
|
Adventures of Huckleberry Finn |
|
|
316 | (176) |
|
Constance Fenimore Woolson (1840--1894) |
|
|
492 | (13) |
|
|
|
493 | (12) |
|
Sarah Orne Jewett (1849--1909) |
|
|
505 | (15) |
|
|
|
506 | (7) |
|
|
|
513 | (7) |
|
Mary E. Wilkins Freeman (1852--1930) |
|
|
520 | (9) |
|
|
|
521 | (8) |
|
|
|
529 | (103) |
|
|
|
532 | (4) |
|
|
|
536 | (1) |
|
|
|
537 | (4) |
|
|
|
541 | (3) |
|
|
|
544 | (88) |
|
Charles W. Chesnutt (1858--1932) |
|
|
632 | (20) |
|
|
|
633 | (12) |
|
|
|
645 | (7) |
|
Charlotte Perkins Gilman (1860--1935) |
|
|
652 | (13) |
|
|
|
654 | (11) |
|
|
|
665 | (126) |
|
|
|
669 | (41) |
|
|
|
710 | (16) |
|
|
|
726 | (29) |
|
|
|
755 | (21) |
|
|
|
776 | (15) |
|
William Dean Howells (1837--1920) |
|
|
791 | (20) |
|
from Literary Friends and Acquaintance: |
|
|
792 | (1) |
|
from My First Visit to New England |
|
|
792 | (7) |
|
Puritanism in American Fiction |
|
|
799 | (3) |
|
|
|
802 | (9) |
|
Stephen Crane (1871--1900) |
|
|
811 | (83) |
|
Maggie: A Girl of the Streets |
|
|
814 | (42) |
|
Stephen Crane's Own Story |
|
|
856 | (6) |
|
|
|
862 | (16) |
|
The Bride Comes to Yellow Sky |
|
|
878 | (7) |
|
An Illusion in Red and White |
|
|
885 | (4) |
|
from The Black Riders and Other Lines: |
|
|
889 | (1) |
|
Black riders came from the sea |
|
|
889 | (1) |
|
I stood upon a high place |
|
|
889 | (1) |
|
There was crimson clash of war |
|
|
889 | (1) |
|
|
|
889 | (1) |
|
I saw a man pursuing the horizon |
|
|
890 | (1) |
|
A youth in apparel that glittered |
|
|
890 | (1) |
|
Supposing that I should have the courage |
|
|
891 | (1) |
|
|
|
891 | (1) |
|
A man saw a ball of gold in the sky |
|
|
891 | (1) |
|
Many red devils ran from my heart |
|
|
892 | (1) |
|
|
|
892 | (1) |
|
Do not weep, maiden, for war is kind |
|
|
892 | (1) |
|
|
|
893 | (1) |
|
A man said to the universe |
|
|
893 | (1) |
|
|
|
894 | (13) |
|
|
|
895 | (12) |
| PART TWO America in the World Community: The Early 20th Century |
|
907 | (484) |
|
Early 20th-Century Poetry |
|
|
916 | (277) |
|
Edwin Arlington Robinson (1869--1935) |
|
|
921 | (7) |
|
|
|
922 | (1) |
|
|
|
923 | (1) |
|
|
|
923 | (1) |
|
|
|
924 | (1) |
|
|
|
925 | (1) |
|
|
|
926 | (1) |
|
|
|
927 | (1) |
|
Robert Frost (1874--1963) |
|
|
928 | (25) |
|
|
|
932 | (1) |
|
|
|
932 | (1) |
|
|
|
932 | (1) |
|
|
|
933 | (3) |
|
|
|
936 | (1) |
|
|
|
937 | (1) |
|
|
|
938 | (1) |
|
An Old Man's Winter Night |
|
|
939 | (1) |
|
|
|
940 | (1) |
|
|
|
940 | (1) |
|
|
|
941 | (1) |
|
|
|
942 | (1) |
|
|
|
942 | (1) |
|
|
|
943 | (1) |
|
|
|
944 | (1) |
|
|
|
944 | (1) |
|
Stopping by Woods on a Snowy Evening |
|
|
944 | (1) |
|
The Need of Being Versed in Country Things |
|
|
944 | (1) |
|
|
|
945 | (1) |
|
|
|
946 | (1) |
|
|
|
946 | (1) |
|
Acquainted With the Night |
|
|
946 | (1) |
|
|
|
947 | (1) |
|
|
|
947 | (1) |
|
|
|
948 | (1) |
|
|
|
948 | (1) |
|
|
|
949 | (1) |
|
|
|
950 | (1) |
|
|
|
951 | (1) |
|
Never Again Would Birds' Song Be the Same |
|
|
951 | (1) |
|
|
|
951 | (1) |
|
|
|
951 | (2) |
|
Carl Sandburg (1878--1967) |
|
|
953 | (6) |
|
|
|
954 | (1) |
|
|
|
955 | (1) |
|
|
|
955 | (1) |
|
|
|
956 | (1) |
|
|
|
956 | (1) |
|
|
|
957 | (1) |
|
|
|
957 | (1) |
|
They All Want to Play Hamlet |
|
|
958 | (1) |
|
|
|
958 | (1) |
|
Wallace Stevens (1879--1955) |
|
|
959 | (31) |
|
|
|
962 | (3) |
|
Disillusionment of Ten O'Clock |
|
|
965 | (1) |
|
Thirteen Ways of Looking at a Blackbird |
|
|
965 | (2) |
|
Nuances of a Theme by Williams |
|
|
967 | (1) |
|
|
|
968 | (1) |
|
|
|
968 | (1) |
|
|
|
969 | (1) |
|
|
|
969 | (1) |
|
The Idea of Order at Key West |
|
|
970 | (1) |
|
|
|
971 | (1) |
|
|
|
972 | (1) |
|
A Postcard From the Volcano |
|
|
973 | (1) |
|
from The Man With the Blue Guitar |
|
|
974 | (1) |
|
|
|
975 | (1) |
|
Of Hartford in a Purple Light |
|
|
976 | (1) |
|
|
|
976 | (1) |
|
|
|
977 | (1) |
|
|
|
978 | (1) |
|
from Notes Toward a Supreme Fiction: |
|
|
979 | (1) |
|
from Section One: It Must Be Abstract |
|
|
979 | (1) |
|
from Section Two: It Must Change |
|
|
980 | (1) |
|
from Section Three: It Must Give Pleasure |
|
|
981 | (1) |
|
So-And-So Reclining on Her Couch |
|
|
981 | (1) |
|
|
|
982 | (1) |
|
This Solitude of Cataracts |
|
|
983 | (1) |
|
Angel Surrounded by Paysans |
|
|
984 | (1) |
|
The Course of a Particular |
|
|
985 | (1) |
|
To an Old Philosopher in Rome |
|
|
985 | (3) |
|
The River of Rivers in Connecticut |
|
|
988 | (1) |
|
|
|
988 | (1) |
|
|
|
989 | (1) |
|
A Clear Day and No Memories |
|
|
989 | (1) |
|
|
|
990 | (1) |
|
William Carlos Williams (1883--1963) |
|
|
990 | (24) |
|
|
|
993 | (1) |
|
|
|
994 | (1) |
|
|
|
994 | (2) |
|
|
|
996 | (1) |
|
|
|
996 | (1) |
|
|
|
997 | (1) |
|
Overture to a Dance of Locomotives |
|
|
997 | (2) |
|
|
|
999 | (1) |
|
|
|
999 | (1) |
|
|
|
1000 | (1) |
|
|
|
1000 | (1) |
|
The Attic Which Is Desire |
|
|
1001 | (1) |
|
|
|
1002 | (1) |
|
The Locust Tree in Flower [First Version] |
|
|
1002 | (1) |
|
The Locust Tree in Flower [Second Version] |
|
|
1003 | (1) |
|
|
|
1003 | (1) |
|
|
|
1004 | (1) |
|
Fine Work With Pitch and Copper |
|
|
1005 | (1) |
|
|
|
1006 | (1) |
|
The Last Words of My English Grandmother |
|
|
1006 | (1) |
|
|
|
1007 | (1) |
|
Burning the Christmas Greens |
|
|
1008 | (2) |
|
|
|
1010 | (1) |
|
from Book II: Sunday in the Park |
|
|
1010 | (2) |
|
from Pictures From Brueghel: |
|
|
1012 | (1) |
|
Landscape With the Fall of Icarus |
|
|
1012 | (2) |
|
Hilda Doolittle (H. D.) (1886--1961) |
|
|
1014 | (8) |
|
|
|
1016 | (1) |
|
|
|
1016 | (1) |
|
|
|
1017 | (1) |
|
|
|
1018 | (1) |
|
|
|
1018 | (2) |
|
|
|
1020 | (1) |
|
Stars wheel in purple, yours is not so rare |
|
|
1020 | (1) |
|
|
|
1021 | (1) |
|
If you take the moon in your hands |
|
|
1021 | (1) |
|
|
|
1021 | (1) |
|
|
|
1021 | (1) |
|
|
|
1022 | (39) |
|
|
|
1026 | (1) |
|
|
|
1026 | (2) |
|
|
|
1028 | (1) |
|
|
|
1029 | (2) |
|
|
|
1031 | (1) |
|
|
|
1032 | (1) |
|
|
|
1032 | (1) |
|
|
|
1033 | (1) |
|
|
|
1033 | (1) |
|
In a Station of the Metro |
|
|
1034 | (1) |
|
The River Merchant's Wife: A Letter |
|
|
1034 | (1) |
|
Lament of the Frontier Guard |
|
|
1035 | (1) |
|
|
|
1035 | (15) |
|
|
|
1050 | (1) |
|
|
|
1050 | (1) |
|
|
|
1050 | (6) |
|
|
|
1056 | (5) |
|
Marianne Moore (1887--1972) |
|
|
1061 | (17) |
|
|
|
1063 | (1) |
|
|
|
1064 | (1) |
|
In the Days of Prismatic Color |
|
|
1065 | (1) |
|
|
|
1066 | (1) |
|
|
|
1067 | (1) |
|
|
|
1067 | (2) |
|
|
|
1069 | (1) |
|
|
|
1070 | (2) |
|
|
|
1072 | (1) |
|
|
|
1073 | (1) |
|
The Animals Sick of the Plague |
|
|
1073 | (2) |
|
|
|
1075 | (1) |
|
|
|
1075 | (3) |
|
|
|
1078 | (33) |
|
The Love Song of J. Alfred Prufrock |
|
|
1081 | (4) |
|
|
|
1085 | (1) |
|
|
|
1086 | (1) |
|
Sweeney Among the Nightingales |
|
|
1086 | (2) |
|
|
|
1088 | (14) |
|
|
|
1102 | (2) |
|
|
|
1104 | (1) |
|
|
|
1105 | (1) |
|
|
|
1105 | (6) |
|
E. E. Cummings (1894--1962) |
|
|
1111 | (9) |
|
|
|
1113 | (1) |
|
All in green went my love riding |
|
|
1113 | (1) |
|
|
|
1114 | (1) |
|
|
|
1114 | (1) |
|
|
|
1115 | (1) |
|
|
|
1115 | (1) |
|
|
|
1115 | (1) |
|
Spring is like a perhaps hand |
|
|
1115 | (1) |
|
|
|
1116 | (1) |
|
``Next to of course god america i |
|
|
1116 | (1) |
|
|
|
1116 | (1) |
|
somewhere i have never travelled, gladly beyond |
|
|
1116 | (1) |
|
as freedom is a breakfast food |
|
|
1117 | (1) |
|
anyone lived in a pretty how town |
|
|
1118 | (1) |
|
these children singing in stone a |
|
|
1119 | (1) |
|
|
|
1120 | (21) |
|
|
|
1122 | (1) |
|
|
|
1122 | (1) |
|
My Grandmother's Love Letters |
|
|
1123 | (1) |
|
|
|
1124 | (1) |
|
|
|
1124 | (1) |
|
|
|
1125 | (1) |
|
|
|
1126 | (5) |
|
|
|
1131 | (1) |
|
|
|
1131 | (1) |
|
from II: Powhatan's Daughter: |
|
|
1132 | (1) |
|
|
|
1132 | (4) |
|
|
|
1136 | (1) |
|
|
|
1136 | (4) |
|
|
|
1140 | (1) |
|
Louise Bogan (1897--1970) |
|
|
1141 | (8) |
|
|
|
1142 | (1) |
|
|
|
1143 | (1) |
|
|
|
1143 | (1) |
|
|
|
1144 | (1) |
|
|
|
1144 | (1) |
|
|
|
1145 | (1) |
|
|
|
1145 | (1) |
|
Evening in the Sanitarium |
|
|
1146 | (1) |
|
|
|
1147 | (1) |
|
|
|
1148 | (1) |
|
|
|
1149 | (1) |
|
Yvor Winters (1900--1968) |
|
|
1149 | (8) |
|
|
|
1150 | (1) |
|
|
|
1151 | (1) |
|
|
|
1152 | (1) |
|
|
|
1152 | (1) |
|
Sir Gawaine and the Green Knight |
|
|
1153 | (1) |
|
|
|
1154 | (1) |
|
|
|
1155 | (1) |
|
|
|
1156 | (1) |
|
|
|
1157 | (10) |
|
|
|
1158 | (1) |
|
Ode to the Confederate Dead |
|
|
1158 | (4) |
|
|
|
1162 | (1) |
|
|
|
1163 | (1) |
|
|
|
1164 | (1) |
|
|
|
1165 | (2) |
|
Langston Hughes (1902--1967) |
|
|
1167 | (16) |
|
The Negro Speaks of Rivers |
|
|
1168 | (1) |
|
|
|
1169 | (1) |
|
|
|
1169 | (1) |
|
|
|
1170 | (1) |
|
|
|
1171 | (1) |
|
|
|
1172 | (1) |
|
|
|
1172 | (1) |
|
|
|
1173 | (1) |
|
|
|
1174 | (1) |
|
|
|
1175 | (1) |
|
|
|
1176 | (1) |
|
|
|
1177 | (1) |
|
|
|
1177 | (2) |
|
|
|
1179 | (1) |
|
|
|
1179 | (2) |
|
|
|
1181 | (2) |
|
|
|
1183 | (10) |
|
|
|
1184 | (1) |
|
|
|
1185 | (1) |
|
|
|
1186 | (3) |
|
|
|
1189 | (1) |
|
|
|
1189 | (1) |
|
|
|
1189 | (1) |
|
|
|
1190 | (1) |
|
|
|
1191 | (1) |
|
|
|
1192 | (1) |
|
Early 20th-Century Fiction |
|
|
1193 | (198) |
|
Edith Wharton (1862--1937) |
|
|
1197 | (25) |
|
|
|
1200 | (13) |
|
|
|
1213 | (9) |
|
Theodore Dreiser (1871--1945) |
|
|
1222 | (14) |
|
|
|
1223 | (13) |
|
Willa Cather (1873--1947) |
|
|
1236 | (12) |
|
|
|
1238 | (2) |
|
|
|
1240 | (5) |
|
|
|
1245 | (1) |
|
[The Story of Peter and Pavel] |
|
|
1245 | (3) |
|
Gertrude Stein (1874--1946) |
|
|
1248 | (28) |
|
|
|
1251 | (19) |
|
|
|
1270 | (1) |
|
|
|
1270 | (6) |
|
Sherwood Anderson (1876--1941) |
|
|
1276 | (15) |
|
|
|
1279 | (1) |
|
|
|
1279 | (4) |
|
|
|
1283 | (8) |
|
Katherine Anne Porter (1890--1980) |
|
|
1291 | (10) |
|
|
|
1292 | (9) |
|
F. Scott Fitzgerald (1896--1940) |
|
|
1301 | (19) |
|
|
|
1304 | (16) |
|
Zora Neale Hurston (1901?--1960) |
|
|
1320 | (11) |
|
How It Feels to Be Colored Me |
|
|
1321 | (2) |
|
|
|
1323 | (8) |
|
|
|
1331 | (7) |
|
|
|
1332 | (1) |
|
|
|
1332 | (2) |
|
|
|
1334 | (1) |
|
|
|
1334 | (1) |
|
|
|
1335 | (3) |
|
William Faulkner (1897--1962) |
|
|
1338 | (22) |
|
|
|
1342 | (6) |
|
|
|
1348 | (12) |
|
Ernest Hemingway (1899--1961) |
|
|
1360 | (15) |
|
|
|
1363 | (12) |
|
John Steinbeck (1902--1968) |
|
|
1375 | (16) |
|
|
|
1377 | (14) |
| PART THREE Diversity, Technology, and Social Change: The Middle to Late 20th Century |
|
1391 | (986) |
|
Middle to Late 20th-Century Drama |
|
|
1400 | (248) |
|
Eugene O'Neill (1888--1953) |
|
|
1407 | (41) |
|
|
|
1410 | (38) |
|
Tennessee Williams (1911--1983) |
|
|
1448 | (48) |
|
|
|
1452 | (44) |
|
|
|
1496 | (68) |
|
|
|
1500 | (64) |
|
Lorraine Hansberry (1930--1965) |
|
|
1564 | (66) |
|
|
|
1566 | (64) |
|
|
|
1630 | (18) |
|
|
|
1632 | (16) |
|
Middle to Late 20th-Century Poetry |
|
|
1648 | (303) |
|
Theodore Roethke (1908--1963) |
|
|
1652 | (12) |
|
|
|
1653 | (1) |
|
|
|
1654 | (1) |
|
|
|
1654 | (1) |
|
|
|
1655 | (1) |
|
|
|
1655 | (5) |
|
|
|
1660 | (1) |
|
|
|
1661 | (1) |
|
|
|
1661 | (1) |
|
|
|
1662 | (1) |
|
|
|
1663 | (1) |
|
|
|
1663 | (1) |
|
Elizabeth Bishop (1911--1979) |
|
|
1664 | (17) |
|
|
|
1666 | (1) |
|
|
|
1667 | (1) |
|
|
|
1668 | (1) |
|
|
|
1669 | (1) |
|
|
|
1670 | (1) |
|
|
|
1671 | (1) |
|
|
|
1672 | (2) |
|
|
|
1674 | (2) |
|
|
|
1676 | (4) |
|
|
|
1680 | (1) |
|
Randall Jarrell (1914--1965) |
|
|
1681 | (6) |
|
|
|
1682 | (1) |
|
The Death of the Ball Turret Gunner |
|
|
1683 | (1) |
|
The Woman at the Washington Zoo |
|
|
1683 | (1) |
|
|
|
1684 | (1) |
|
|
|
1685 | (1) |
|
|
|
1686 | (1) |
|
John Berryman (1914--1972) |
|
|
1687 | (13) |
|
|
|
1689 | (1) |
|
|
|
1690 | (1) |
|
The Song of the Tortured Girl |
|
|
1691 | (1) |
|
|
|
1691 | (1) |
|
|
|
1691 | (1) |
|
|
|
1692 | (1) |
|
|
|
1692 | (1) |
|
|
|
1693 | (1) |
|
|
|
1694 | (1) |
|
|
|
1694 | (1) |
|
|
|
1695 | (1) |
|
|
|
1695 | (1) |
|
|
|
1696 | (1) |
|
|
|
1696 | (2) |
|
|
|
1698 | (1) |
|
|
|
1698 | (1) |
|
|
|
1698 | (1) |
|
|
|
1699 | (1) |
|
[I didn't. And I didn't.] |
|
|
1699 | (1) |
|
Robert Hayden (1913--1980) |
|
|
1700 | (6) |
|
|
|
1701 | (1) |
|
|
|
1701 | (1) |
|
|
|
1702 | (2) |
|
|
|
1704 | (1) |
|
```Mystery Boy' Looks for Kin in Nashville'' |
|
|
1705 | (1) |
|
|
|
1705 | (1) |
|
William Stafford (1914--) |
|
|
1706 | (7) |
|
|
|
1707 | (1) |
|
A Ritual to Read to Each Other |
|
|
1708 | (1) |
|
|
|
1708 | (1) |
|
Traveling Through the Dark |
|
|
1708 | (1) |
|
The Farm on the Great Plains |
|
|
1709 | (1) |
|
The Epitaph Ending in And |
|
|
1710 | (1) |
|
|
|
1710 | (1) |
|
|
|
1710 | (1) |
|
|
|
1711 | (1) |
|
After Arguing Against the Contention That Art Must Come From Discontent |
|
|
1711 | (1) |
|
|
|
1712 | (1) |
|
Robert Lowell (1917--1977) |
|
|
1713 | (27) |
|
The Quaker Graveyard in Nantucket |
|
|
1716 | (4) |
|
Mr. Edwards and the Spider |
|
|
1720 | (3) |
|
|
|
1723 | (1) |
|
I: My Last Afternoon With Uncle Devereux Winslow |
|
|
1723 | (4) |
|
|
|
1727 | (2) |
|
Memories of West Street and Lepke |
|
|
1729 | (1) |
|
|
|
1730 | (1) |
|
|
|
1731 | (2) |
|
|
|
1733 | (1) |
|
|
|
1733 | (1) |
|
|
|
1734 | (1) |
|
|
|
1735 | (3) |
|
from Four Poems for Elizabeth Biship: |
|
|
1738 | (1) |
|
|
|
1738 | (1) |
|
|
|
1738 | (1) |
|
|
|
1739 | (1) |
|
|
|
1739 | (1) |
|
Gwendolyn Brooks (1917---) |
|
|
1740 | (8) |
|
from A Street in Bronzeville: |
|
|
1741 | (1) |
|
|
|
1741 | (1) |
|
|
|
1742 | (1) |
|
|
|
1742 | (1) |
|
|
|
1743 | (1) |
|
Of De Witt Williams on His Way to Lincoln Cemetery |
|
|
1744 | (1) |
|
|
|
1745 | (1) |
|
|
|
1745 | (1) |
|
|
|
1745 | (3) |
|
|
|
1748 | (8) |
|
|
|
1749 | (1) |
|
|
|
1750 | (1) |
|
Love Calls Us to the Things of This World |
|
|
1750 | (1) |
|
|
|
1751 | (1) |
|
|
|
1752 | (1) |
|
|
|
1753 | (1) |
|
|
|
1754 | (2) |
|
|
|
1756 | (8) |
|
|
|
1757 | (1) |
|
|
|
1758 | (2) |
|
|
|
1760 | (1) |
|
|
|
1761 | (1) |
|
|
|
1761 | (1) |
|
|
|
1762 | (1) |
|
|
|
1762 | (2) |
|
|
|
1764 | (7) |
|
|
|
1765 | (1) |
|
|
|
1766 | (1) |
|
|
|
1767 | (1) |
|
|
|
1768 | (1) |
|
The Grace of Geldings in Ripe Pastures |
|
|
1768 | (1) |
|
|
|
1769 | (1) |
|
|
|
1770 | (1) |
|
|
|
1771 | (6) |
|
|
|
1772 | (1) |
|
|
|
1772 | (1) |
|
|
|
1773 | (2) |
|
|
|
1775 | (1) |
|
|
|
1776 | (1) |
|
|
|
1776 | (1) |
|
|
|
1777 | (14) |
|
|
|
1778 | (8) |
|
|
|
1786 | (1) |
|
A Supermarket in California |
|
|
1786 | (1) |
|
|
|
1787 | (3) |
|
|
|
1790 | (1) |
|
|
|
1791 | (7) |
|
|
|
1792 | (1) |
|
|
|
1792 | (3) |
|
|
|
1795 | (2) |
|
|
|
1797 | (1) |
|
|
|
1798 | (7) |
|
|
|
1799 | (1) |
|
|
|
1800 | (1) |
|
|
|
1800 | (1) |
|
|
|
1801 | (1) |
|
For My Lover, Returning to His Wife |
|
|
1802 | (2) |
|
|
|
1804 | (1) |
|
|
|
1805 | (1) |
|
The Fury of Beautiful Bones |
|
|
1805 | (1) |
|
James Wright (1927--1980) |
|
|
1805 | (10) |
|
|
|
1807 | (1) |
|
All the Beautiful Are Blameless |
|
|
1807 | (1) |
|
Arrangements With Earth for Three Dead Friends |
|
|
1808 | (1) |
|
|
|
1809 | (2) |
|
Having Lost My Sons, I Confront the Wreckage of the Moon |
|
|
1811 | (1) |
|
|
|
1812 | (1) |
|
Lying in a Hammock at William Duffy's Farm in Pine Island, Minnesota |
|
|
1812 | (1) |
|
Autumn Begins in Martins Ferry, Ohio |
|
|
1813 | (1) |
|
In Response to a Rumor That the Oldest Whorehouse in Wheeling, West Virginia, Has Been Condemned |
|
|
1813 | (1) |
|
Small Frogs Killed on the Highway |
|
|
1814 | (1) |
|
|
|
1814 | (1) |
|
|
|
1815 | (15) |
|
|
|
1817 | (1) |
|
|
|
1817 | (1) |
|
|
|
1818 | (2) |
|
|
|
1820 | (1) |
|
Farm Implements and Rutabagas in a Landscape |
|
|
1821 | (1) |
|
|
|
1822 | (2) |
|
|
|
1824 | (1) |
|
|
|
1825 | (1) |
|
|
|
1826 | (1) |
|
|
|
1827 | (1) |
|
|
|
1827 | (1) |
|
|
|
1828 | (1) |
|
Someone You Have Seen Before |
|
|
1829 | (1) |
|
|
|
1830 | (16) |
|
Ballad of John Cable and Three Gentlemen |
|
|
1832 | (3) |
|
|
|
1835 | (1) |
|
|
|
1836 | (2) |
|
|
|
1838 | (1) |
|
|
|
1839 | (1) |
|
For the Anniversary of My Death |
|
|
1839 | (1) |
|
|
|
1840 | (1) |
|
|
|
1840 | (3) |
|
|
|
1843 | (1) |
|
|
|
1843 | (1) |
|
|
|
1844 | (1) |
|
|
|
1845 | (1) |
|
|
|
1845 | (1) |
|
|
|
1846 | (8) |
|
|
|
1848 | (2) |
|
from The Book of Nightmares: |
|
|
1850 | (1) |
|
Little Sleep's-Head Sprouting Hair in the Moonlight |
|
|
1850 | (3) |
|
Saint Francis and the Sow |
|
|
1853 | (1) |
|
|
|
1854 | (1) |
|
|
|
1854 | (17) |
|
|
|
1856 | (1) |
|
|
|
1856 | (2) |
|
Snapshots of a Daughter-in-Law |
|
|
1858 | (4) |
|
|
|
1862 | (1) |
|
I Dream I'm the Death of Orpheus |
|
|
1862 | (1) |
|
|
|
1863 | (1) |
|
A Valediction Forbidding Mourning |
|
|
1864 | (1) |
|
|
|
1865 | (1) |
|
from Twenty-One Love Poems: |
|
|
1866 | (1) |
|
|
|
1866 | (1) |
|
|
|
1866 | (3) |
|
|
|
1869 | (2) |
|
Sylvia Plath (1932--1963) |
|
|
1871 | (16) |
|
|
|
1873 | (1) |
|
|
|
1874 | (1) |
|
|
|
1874 | (2) |
|
|
|
1876 | (1) |
|
The Moon and the Yew Tree |
|
|
1877 | (1) |
|
|
|
1877 | (3) |
|
|
|
1880 | (2) |
|
|
|
1882 | (1) |
|
|
|
1883 | (2) |
|
|
|
1885 | (1) |
|
|
|
1886 | (1) |
|
Amiri Baraka (LeRoi Jones) (1934--) |
|
|
1887 | (8) |
|
Preface to a Twenty Volume Suicide Note |
|
|
1888 | (1) |
|
|
|
1889 | (1) |
|
A Poem for Speculative Hipsters |
|
|
1890 | (1) |
|
I Substitute for the Dead Lecturer |
|
|
1890 | (1) |
|
|
|
1890 | (2) |
|
|
|
1892 | (1) |
|
|
|
1893 | (1) |
|
Evil Nigger Waits for Lightnin' |
|
|
1893 | (2) |
|
|
|
1895 | (7) |
|
|
|
1896 | (3) |
|
|
|
1899 | (1) |
|
|
|
1900 | (1) |
|
|
|
1901 | (1) |
|
Paula Gunn Allen (1939--) |
|
|
1902 | (7) |
|
|
|
1903 | (1) |
|
Pocahontas to Her English Husband, John Rolfe |
|
|
1903 | (2) |
|
|
|
1905 | (1) |
|
|
|
1906 | (1) |
|
Myth/Telling---Dream/Showing |
|
|
1907 | (2) |
|
|
|
1909 | (8) |
|
|
|
1910 | (2) |
|
|
|
1912 | (1) |
|
|
|
1913 | (2) |
|
|
|
1915 | (1) |
|
|
|
1916 | (1) |
|
|
|
1917 | (7) |
|
|
|
1918 | (1) |
|
|
|
1919 | (1) |
|
|
|
1920 | (1) |
|
|
|
1921 | (1) |
|
|
|
1922 | (1) |
|
|
|
1923 | (1) |
|
|
|
1924 | (6) |
|
|
|
1925 | (1) |
|
A Story of How a Wall Stands |
|
|
1926 | (1) |
|
|
|
1927 | (1) |
|
The Creation, According to Coyote |
|
|
1928 | (1) |
|
|
|
1929 | (1) |
|
|
|
1929 | (1) |
|
|
|
1929 | (1) |
|
|
|
1930 | (8) |
|
|
|
1932 | (1) |
|
|
|
1932 | (1) |
|
|
|
1933 | (1) |
|
|
|
1933 | (1) |
|
|
|
1934 | (1) |
|
|
|
1934 | (3) |
|
|
|
1937 | (1) |
|
|
|
1937 | (1) |
|
|
|
1937 | (1) |
|
|
|
1938 | (7) |
|
|
|
1939 | (1) |
|
|
|
1940 | (1) |
|
|
|
1941 | (1) |
|
|
|
1942 | (2) |
|
The Purpose of Altar Boys |
|
|
1944 | (1) |
|
Winter Along the Santa Cruz |
|
|
1945 | (1) |
|
|
|
1945 | (6) |
|
Indian Boarding School: The Runaways |
|
|
1946 | (1) |
|
|
|
1947 | (1) |
|
|
|
1948 | (2) |
|
|
|
1950 | (1) |
|
Middle to Late 20th-Century Fiction |
|
|
1951 | (426) |
|
Raymond Chandler (1888--1959) |
|
|
1957 | (35) |
|
|
|
1959 | (33) |
|
Richard Wright (1908--1960) |
|
|
1992 | (26) |
|
from Uncle Tom's Children: |
|
|
1994 | (1) |
|
|
|
1994 | (24) |
|
|
|
2018 | (11) |
|
|
|
2020 | (9) |
|
John Cheever (1912--1982) |
|
|
2029 | (9) |
|
|
|
2030 | (8) |
|
Bernard Malamud (1914--1986) |
|
|
2038 | (12) |
|
|
|
2039 | (11) |
|
|
|
2050 | (12) |
|
|
|
2051 | (1) |
|
Chapter I: [Battle Royal] |
|
|
2051 | (11) |
|
|
|
2062 | (65) |
|
|
|
2064 | (63) |
|
|
|
2127 | (19) |
|
from The Armies of the Night: |
|
|
2129 | (1) |
|
5: Toward a Theater of Ideas |
|
|
2129 | (9) |
|
|
|
2138 | (8) |
|
Flannery O'Connor (1925--1964) |
|
|
2146 | (26) |
|
A Good Man Is Hard to Find |
|
|
2148 | (10) |
|
|
|
2158 | (14) |
|
James Baldwin (1924--1987) |
|
|
2172 | (23) |
|
|
|
2174 | (21) |
|
|
|
2195 | (20) |
|
In the Heart of the Heart of the Country |
|
|
2196 | (19) |
|
|
|
2215 | (20) |
|
from I Know Why the Caged Bird Sings: |
|
|
2216 | (1) |
|
|
|
2216 | (3) |
|
|
|
2219 | (4) |
|
|
|
2223 | (3) |
|
|
|
2226 | (9) |
|
|
|
2235 | (18) |
|
|
|
2236 | (1) |
|
|
|
2236 | (17) |
|
|
|
2253 | (5) |
|
|
|
2254 | (4) |
|
|
|
2258 | (22) |
|
|
|
2260 | (1) |
|
|
|
2260 | (20) |
|
|
|
2280 | (7) |
|
When Did Music Come This Way? Children Dear, Was It Yesterday? |
|
|
2281 | (6) |
|
N. Scott Momaday (1934--) |
|
|
2287 | (25) |
|
The Way to Rainy Mountain |
|
|
2288 | (24) |
|
Tomas Rivera (1935--1985) |
|
|
2312 | (13) |
|
from ... y No Se Lo Trago la Tierra (... and the Earth Did Not Devour Him): |
|
|
2313 | (1) |
|
The Children Couldn't Wait |
|
|
2313 | (1) |
|
|
|
2314 | (4) |
|
The Night Before Christmas |
|
|
2318 | (4) |
|
|
|
2322 | (3) |
|
Joyce Carol Oates (1938--) |
|
|
2325 | (2) |
|
Where Are You Going, Where Have You Been? |
|
|
2326 | (1) |
|
Raymond Carver (1938--1988) |
|
|
2327 | (18) |
|
|
|
2328 | (17) |
|
Maxine Hong Kingston (1940--) |
|
|
2345 | (12) |
|
|
|
2349 | (1) |
|
|
|
2349 | (8) |
|
|
|
2357 | (7) |
|
|
|
2358 | (6) |
|
Leslie Marmon Silko (1948--) |
|
|
2364 | (13) |
|
|
|
2365 | (12) |
| Appendix: Writing About literature |
|
2377 | (18) |
| Glossary |
|
2395 | (16) |
| Index |
|
2411 | |