Advanced Digital Black & White Photography
by Beardsworth, JohnRent Book
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Summary
Author Biography
Table of Contents
| Introduction | p. 6 |
| Camera Work: Capturing the Black-and-White Image | p. 10 |
| Black-and-white modes | p. 12 |
| Shoot RAW and in color | p. 14 |
| What works in black and white | p. 16 |
| Tone and contrast | p. 18 |
| Digital black-and-white exposure | p. 20 |
| Exposing to the right | p. 22 |
| The shadows | p. 24 |
| Drawn to the bright lights | p. 26 |
| Increasing dynamic range | p. 28 |
| Colored filters: Not forgotten | p. 30 |
| Filters for digital black and white | p. 32 |
| Digital infrared capture | p. 34 |
| The Digital Darkroom 1: Converting to Black and White | p. 38 |
| Destructive techniques | p. 40 |
| Destructive techniques: Calculations | p. 44 |
| The tools of the trade | p. 46 |
| The Channel Mixer | p. 48 |
| "Film and filter" | p. 50 |
| Black-and-white adjustment layer | p. 52 |
| Painting black and white | p. 54 |
| Black-and-white presets | p. 56 |
| Camera Raw and Smart Objects | p. 58 |
| Converting selected image areas | p. 62 |
| Creative conversion: People | p. 66 |
| Creative conversion: Landscapes | p. 70 |
| Tonal separation | p. 72 |
| Using Lightroom | p. 74 |
| Using Silver Efex Pro | p. 82 |
| Black and white on the move | p. 90 |
| The Digital Darkroom 2: Fine-tuning the' Photograph | p. 92 |
| Setting the black-and-white points | p. 94 |
| Oyerall brightness and contrast | p. 96 |
| Fine contrast control | p. 98 |
| Adding contrast selectively | p. 100 |
| Local contrast | p. 102 |
| Creative clipping | p. 104 |
| Shadows and highlights | p. 106 |
| Dodging and burning: The tools | p. 108 |
| Adjustment layers | p. 110 |
| Dodging and burning: Landscapes | p. 112 |
| Dodging and burning: Portraits | p. 114 |
| Black-and-white Lightroom presets | p. 116 |
| General sharpening | p. 118 |
| High Pass and Smart Sharpening | p. 120 |
| Selective Sharpening | p. 122 |
| Edge sharpening | p. 124 |
| Creative Effects: Digital Image Workflows | p. 126 |
| Toning | p. 128 |
| Split toning | p. 130 |
| Duotones | p. 132 |
| A measured tone | p. 134 |
| Classic tones | p. 136 |
| Hand coloring | p. 138 |
| Infrared effects | p. 142 |
| Wide-area sharpening | p. 146 |
| Simulating lith | p. 148 |
| Grain and noise | p. 152 |
| Split toning with Lightroom | p. 154 |
| Soft focus | p. 156 |
| Presentation and Output | p. 160 |
| Borders | p. 162 |
| Edge burning | p. 164 |
| Print or output sharpening | p. 166 |
| Printers | p. 168 |
| Neutral black and white | p. 170 |
| CMYK output | p. 172 |
| Black and white in bulk | p. 176 |
| HDR for black and white | p. 180 |
| Output for the web | p. 182 |
| Glossary | p. 186 |
| Index | p. 188 |
| Acknowledgments | p. 192 |
| Table of Contents provided by Ingram. All Rights Reserved. |
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